W.A.S.P. - Metro Theatre 08/04/08

I had been waiting to see W.A.S.P. for a long time, being as they were one of the earlier "heavy" bands I got into back in the heady days of the '80's (Blackie Lawless at one point said it had been 22 years since he'd been on Australian soil and in '86 I was still a wee bit young to get to a lot of shows by the bands my parents hated!) so when I heard they'd be playing their '92 concept masterpiece 'The Crimson Idol' along with some other favourites I had my ticket quicker than you could say "now on sale".

With "Mephisto Waltz" serving as an intro, the stage darkened and then there they were: the most absurd '80's boots that any '80's hair-rocker could ever wish to see their hero standing in - white cowboy boots with long tassels all the way around. But the moment to giggle was short-lived as without a word, the band launched into the serious business of 'The Crimson Idol's opening track "The Titanic Overture" and commenced a performance that is currently tussling with Iron Maiden as my favourite of 2008 so far. Perhaps it was the lingering emotional connection to an album that resonated so profoundly with me when I heard it in my younger years, perhaps it was the closer confines of a much smaller venue (than Maiden's) - packed out, by the way - or maybe the fact that the band were just "on".

I had harboured fears of Blackie being bloated, careless and unable to belt out these tracks, but these fears were unfounded. The band too were excellent, in particular Doug Blair's guitar work. The stage lighting was dim for the majority of the main set as a video screen was employed to show the film that had been made to accompany the album but which, until this tour, had never been seen. The black and white images on screen complimented the music perfectly and elevated the album's already dramatic story-line, creating a powerful experience. (As did the complete lack of between song banter.) For a couple of later songs the screen gave way to fuller lighting showcasing the bands performance and this fitted well into the story, being used as it was for the protagonist's own stage performances. I have a hard time picking stand out tracks on the album and so too with it's live execution though "The Idol" and "The Great Misconception Of Me" come to mind.

I would have been well and truly satisfied if that had been the end of this show, however after 10 minutes of watching Elvis in his 'Aloha '76' concert during which time the band took a break, they were back to give us a handful more tracks, the stage now featuring the artwork from latest album 'Dominator' (from which there was one song played) and strangely, the Elvis footage continuing in the background(!) Here we were treated to some old fave's from the band's back catalog and were left with the hope that it won't take so long again.

For those (and there are many) who have dismissed W.A.S.P. as a result of their early career shock-rock antics and overt sexual themes have missed out on seeing Blackie Lawless develop his songcraft and create some of American music's most enduring tracks of the last 20-odd years... But the faithful in attendance tonight were treated to a feast.

Setlist:
(Intro - Mephisto Waltz)
The Crimson Idol
1. The Titanic Overture
2. The Invisible Boy
3. Arena Of Pleasure
4. Chainsaw Charlie (Murders In The New Morgue)
5. The Gypsy Meets The Boy
6. Doctor Rockter
7. I Am One
8. The Idol
9. Hold On To My Heart
10. The Great Misconceptions Of Me
----------------------------------------
11. L.O.V.E. Machine
12. Wild Child
13. Take Me Up
14. I Wanna Be Somebody
15. Blind In Texas

(Will try and get a clip up soon.)

THE BLACK CROWES - Hordern Pavilion 30/03/08

The last time I saw The Black Crowes was at this very venue back when they were touring around the time of the 'Southern Harmony...' album and I remember that to be a fantastic show (the various substances imbibed at the time along with those wafting around the venue may have helped); on this particular Sunday night however, I was nowhere near as full of piss 'n' vinegar as I was back some 15+ years ago and it appeared the same could be said of the band.

Ambling on & languidly slipping into their groove (mostly slower to mid-tempo tonight) I found that from the get-go I wasn't really engaged. There was, to my ears, some bad mixing of Chris Robinson's mic which perhaps didn't help matters (much clearer was his brother Rich when he came to sing lead on the odd verse later in the set) and the band seemed intent on displaying the wares of their latest album 'Warpaint' rather than breaking out many favourites. This in itself is fine as I'm never one to only want to hear the "hits" but I felt that sometimes the set didn't flow perhaps as well as it could have.

Now I don't want to fill this review with only negatives as it was far from a bad gig: Chris' voice is as wonderful as ever and only matures with age, as does the band's sound as a whole. There wasn't too much in the way of extended jamming but there was some great lead work from both the keyboardist and the two guitarists to keep the musos in the crowd happy. The new tunes were enough to prompt me to pick up the new album the following day and while it's definitely a "grower" it contains some terrific tracks illustrating how much this band has matured whilst still maintaining their unique identity.

It wasn't the same band that I saw tonight and no doubt I am not the same person as last time either and it's just unfortunate that things didn't really "click" on this occasion as The Black Crowes are an American original and I hope we have seen the last hiatus from them for some time.

CORB LUND AND THE HURTIN' ALBERTANS - Sandringham Hotel 28/03/08

It may have been a small room but it was a hugely enthusiastic and appreciative crowd that greeted Canada's Corb Lund and The Hurtin' Albertans. This 4-piece's country sounds are something a little different for me as it is a genre where I am quite selective in what I'll listen to but this was one of the most enjoyable shows I've seen all year.

Like all the best country artists Corb is a great story teller and whilst some of his songs are serious and some not so, all are delivered with a rhythm and tone that capture the listener so that one gets caught up in the tale. Most of my favourites were songs from the 'Hair In My Eyes Like A Highland Steer' album (with which I'm most familiar) such as the title track, "Hurtin' Albertan", "All I Wanna Do Is Play Cards" and "The Truck Got Stuck". The tracks that were aired from the new album 'Horse Soldier! Horse Soldier!' (all stories about the cavalry in times of battle) also grabbed my ear enough to walk out with a CD from the merch table.

Despite the confined space there was dancin' and clappin' and hootin' and hollerin' from great portions of the crowd and the band too seemed to be having a great time - Corb was barely without a smile on his face (though maybe that had something to do with the beers he was chugging!) We were told that they've had the best reception this time from any of their Australian tours and have promised to be back soon... check 'em out.

(Photos by Vanessa Berry.)

KISS - Acer Arena 20/03/08

KISS know how to put on a show. It's as simple as that - regardless of what you think about the band or their music, they sure can entertain. And after 35 years their age really isn't showing performance-wise. This was an event with action from start to finish and in the words of Paul Stanley (still bouncing around and jumping in those boots even after a hip replacement!), KISS is about fun - no politics, no bad news just FUN!

The last time I saw KISS (2004) I chose to forgo their arena show when they announced they'd be playing a club show as I felt it would be a more unique experience - and it was - however I was left wanting to see the arena spectacular one more time. I say "one more time" because I have seen the band several times now (in different incarnations, with and without makeup) so without any new material on offer I'm not sure I need to make the investment again. This is not to say I was disappointed with what I saw, far from it.

All the hallmarks were there: the explosions, fire (and fire-breathing), levitating drumkit, etc. though for mine the best was Gene's introduction to "God Of Thunder" where, after his blood-spitting routine, he flew up to a platform on top of the lighting rig and performed the first half of the song from up there. I also enjoyed seeing Tommy Thayer sing "Shock Me" - he can "do Ace" vocally as well as on guitar - probably better than Ace can these days. Another pleasant surprise was the inclusion of "Lick It Up" - one of my favourite KISS songs - surprising because it is from the band's non-makeup period.

For pure spectacle, a good time and some great "big dumb rock songs" I highly recommend attendance at a KISS show to anyone - even just to see where all those other big rock acts pinched a lot of their show and performance ideas from.

Set list:
1. Deuce
2. Shout It Out Loud
3. C'mon And Love Me
4. Lick It Up
5. I Love It Loud
6. Firehouse
7. Calling Dr Love
8. Shock Me
9. Let Me Go, Rock And Roll
10. 100,000 Years
11. God Of Thunder
12. Black Diamond
13. Love Gun
14. Detroit Rock City
------------------------
15. Shandi
16. I Was Made For Loving You
17. Rock 'n' Roll All Nite

(All photos by Debbie Davis.)

OZZY OSBOURNE - Acer Arena 18/03/08

Ozzy's show was much as I expected it would be, a fact which could be viewed as both a good & bad thing. In the 11 years since his last visit he's become a TV star, survived an accident that nearly killed him, dealt with an intruder to his Buckinghamshire residence in the middle of the night & dealt with his wife's cancer scare & his kids' rehab visits; all the while continuing to perform on his annual Ozzfest jaunt in the US (in a reduced capacity on occasion it must be said). All of this led one to wonder how he'd carry himself through a 1.5 hour set after flying all the way Down Under for this tour.

Well I must say that - lengthy guitar solo during which he took a break aside - he did admirably for a man pushing 60. His voice (always unique but never technically brilliant) faltered on a few occasions with some missed notes during "Bark At The Moon" being the most glaring. Also, his vocals were quite heavily reverbed & there was a fair amount of holding the mic to the crowd for their participation; although, to be fair, he was prompting that participation in other ways all night too.

His "I can't hear you!" and "Go fucking crazy!" encouragements to the crowd were plentiful as was his traditional schtick of dousing himself and the crowd with numerous buckets of water. The setlist featured a few new tunes, with the bulk made up of tracks from the 'Blizzard Of Ozz' and 'No More Tears' albums along with the obligatory brace of Sabbath tracks, in this case "War Pigs" and show closer "Paranoid". Throughout it all the Prince of Darkness bounced around and clapped his hands with the glee of a young lad.

There's a lot that can (and has) been said about Ozzy and his career but he does come across as having a genuine feeling of delight at being on stage in front of a packed arena after all these years. The band too were solid, especially Mike Bordin on the kit and Zakk Wylde's unique shredding (who made a subtle but reverential motion skyward before launching into the "Crazy Train" solo, in respect of its author, Randy Rhoads).

I'm not sure I believe Ozzy when he says we won't have to wait another 11 years to see him again, but stranger things have happened... the way he's going he might just outlive us all.

Set list:
1. I Don't Wanna Stop
2. Bark At The Moon
3. Suicide Solution
4. Mr Crowley
5. Not Going Away
6. War Pigs
7. Road To Nowhere
8. Crazy Train
-- Guitar Solo
9. I Don't Know
10. Here For You
11. I Don't Wanna Change The World
----------------------------
12. Mama, I'm Coming Home
13. Paranoid

IMMORTAL - Metro Theatre 15/03/08

On their first visit to this country the Sons of Northern Darkness treated a capacity Metro crowd to that rarest of beasts: Black Metal that knows how to have fun. Now sure, all the hallmarks were there: the leather and spikes, the facepaint and fire-breathing along with furious riffs and a hellish roar but something that sets Immortal apart from many of their BM brethren is the volume of memorable songs in their catalogue.

On their later albums particularly, in amongst the blasting kick drums, etc. one can find a real groove and it was this that really drew one in during their set. "Damned In Black" and "One By One" really set the benchmark in this area (and this feel is one that frontman Abbath has continued with his other band, I - essentially a slightly blackened tribute to KISS and Motörhead). One thing that unfortunately slightly hampered the overall sound was the snare drum which really didn't cut through as it should have, though doubtless this was through no fault of the band and the drumming was excellent.

Some humour was thrown in with Abbath's vocal imitation of a didgeridoo solo and a general camping up of some of metal's cheesier elements. Throughout this, however, the integrity of the band's excellent music was maintained and the set was well balanced in its energy and execution.

Immortal's visit was unexpected and their performance and material are shining examples of the diversity within their genre. Here's hoping that now they're back together we see a new album and a speedy return visit.

HORSE THE BAND - Metro Theatre 05/03/08

HORSE the Band had just exploded onto the stage as I entered the venue to discover that it was not the Metro's main stage they were playing on but the tiny stage in a rather small room (still under construction as it appeared) adjacent to the bar area. However, despite the fact that they were crammed together, placing each member in some danger of physical harm as a result of the frenetic movements they were all making to match the sound of the music, the whole band appeared to be very much enjoying themselves. The drummer in particular was never without a grin on his face as he wrapped is arms and legs around some insane, syncopated and pummeling beats to the amazement of anyone who stopped throwing themselves around the pit long enough to watch.

Much has been made of HORSE the Band's use of old synths, GameBoys, etc. to inject some melody into their otherwise full-on whatever-core-you-want-to-call-it sound and they certainly do the trick when it comes to helping HtB stand out from a very overpopulated crowd. This band truly do have their own sound that all at once is a brutal, noisy, melodic, bouncy, eccentric, schizophrenic scream of a thing and it's impossible not to get caught up in it to some degree. And caught up in it most people were with the front of stage a whirlpool of human bodies which managed to suck the band's vocalist in on more than one occasion. I say "most" though because there seemed to be an inordinate number of young (perhaps) college types who seemed to be out only to show off their cool outfits to anyone who'd cast a second glance and hug and talk loudly with their friends all through the set. This is something I've never understood - there is no shortage of bars in this city in which one can rendez-vouz with friends. Anyway...

For those of us watching, the band was very entertaining - I particularly enjoyed watching the keyboardist trying to nail his parts whilst dancing, jumping and pogoing around the stage. The vocalist made some fun with an oven mitt puppet thrown onto the stage and made a point of telling the assembled throng the band's hotel name and room number in an invitation to carry on after the show. I hope that HORSE the Band manage to get back to these shores before too long and that a better room sound and vantage point is available to do them justice.